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Employment Writing > Speaking Artwork CV as text |
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Selected Published
Writings 2005 with
Sarah Cook (Moderators) “Open Systems.” Tate
Online Forums: C0dE 0f practice. [Online Panel 9
-18 July]. Available from URL: <http://www.tate.org.uk/contact/forums/onlineevents/>. Moderators
of discussion. Digital
Media. Directions in Art series. Oxford: Heinemann.
Book. 2003 "Critical
Commentaries: Clean Rooms, Polaria and Gastarbyter." Play
Garden. London: Arts Council of England. [Online]. Forthcoming 2003 "User
Mode" Art Monthly Jun. 37. Review. 2003 "FACT"
Art Monthly May. 7-10. Review. 2003 "Groove"
Art Monthly Feb. 36-37. Review. 2002 "Fun
‚ pleasure: Games and interactive computer-based art in mainstream
galleries." In: Erkki Huhtamo (ed.) Mariosofia: Elektronisten
pelien kulttuuri (Mariology: Electronic game culture).
Helsinki: Gaudeamus. Chapter
in Co-authored
with Sarah Cook "Net Works: Exhibiting New Media." Art Monthly.
Nov. 44-45. [Online]. Article
in art 2002 Co-edited
with Sarah Cook and Sarah Martin Curating new media.
Gateshead: Baltic Centre for Contemporary Art. Book. 2002 "The
denizens are restless in Turing-land." Switch, Issue
17- Collaborative curating. San Jose: San Jose State University.
[Online]. Article
in media 2001 Co-authored
with Sarah Cook "A curatorial resource for upstart media bliss."
In: David Bearman and Jennifer Trant (eds.) Museums and
the Web 2001: Selected papers from an international conference.
Pittsburgh: Archives & Museum Informatics. 197-208. Also [Online]. Published 2001 "Using
new formats for Ph.D.s and research degree." Visual Arts
Data Service: Good practice guides. [Online]. Commissioned 2001 "Global
Village, Cyburbia, or something else?" The IDEA (Indian
Documentary of Electronic Arts), 3rd Gazette. [CD-ROM].
Mumbai (Bombay): Imadjinn. Article
in 2001 "Live
from Bangalore." Switch 6 (2). [Online].
San Jose: San Jose State University. Article
in 2000- CRUMB:
New media curating resource. [Online].
Sunderland: University of Sunderland. Co-editor. 2000 "Use
| Ornament." Use nor Ornament. [Online].
Sunderland: Northern Gallery of Contemporary Art. Catalogue 2000 "Vane99."
Public Art Journal, 1 (3). 52-54. Review. 2000 "Men
in suits, upside down." Convergence (special
issue: The Internet), 6 (3). 102-105. Review. 2000 "Artist's
profile." In: Sarah Burn, Rebecca Farley, Steve Hines (compilers),
Directory of photography and digital media resources in
the Northern Region. [Print and Online].
Newcastle: Northern Arts. 30. Commissioned 2000 "What
could art learn from design, what might design learn from art?"
In: Friedman, Ken and David Durling (eds.) Proceedings of
the conference Doctoral Education in Design: Foundations for the
future. Stoke-on-Trent: Staffordshire University Press.
425-434. Published 2000 "What
is it that it is like?" Engaged: Art at your own convenience.
Newcastle: Chew and Show. 6-7. Catalogue 2000 "Introduction."
Artists and new media. [Online].
Newcastle: AN. Commissioned 2000 "A
study of audience relationships with interactive computer-based
visual artworks in gallery settings, through observation, art
practice, and curation." Arts Research Digest, Summer.
28-29. Article
in 1999 "Hahaha:
The landscape, the game, the arts and the computer." KIT:
Video arcadia. Wakefield: Yorkshire Sculpture Park. 6-13.
Catalogue 1999 "New
research concepts debated." Artists' Newsletter,
March. 11. Article
in art 1999 "A
study of audience relationships with interactive computer-based
visual artworks." Leonardo, 32 (4). 326-328. Article
in 1999 quoted
in "From
Pong to Song: Video Games Inspire Artists"
by Matthew Mirapaul. New York Times, 4th March. Quoted
in 1998- Materials
for art-practice-led researchers. [Online].
Sunderland: University of Sunderland. Student 1998 "Choice:
Some Women Artists Working With New Technology." In: Erkki Huhtamo
(ed.) Mediorama, June. [Online].
Helsinki: Nokia. Article
in 1997 A
study of audience relationships with interactive computer-based
visual artworks in gallery settings, through observation, art
practice, and curation. Unpub. Ph.D. thesis, University
of Sunderland. Dissertation. 1996 "The
International Symposium of Electronic Art (Montreal, 1995)." Creative
Camera, (338 Feb/Mar). 43. Review. 1996 "Not
a show about new technology, a show about interaction."
In: Carol Brown and Beryl Graham (eds.) Serious Games. [exhibition
catalogue]. London: Barbican Art Gallery. Catalogue 1996 "Playing
with yourself: Pleasure and interactive art." In: Jon Dovey (ed.)
Fractal
dreams.
London: Lawrence and Wishart. 154-179. Chapter
in "The
panic button: In which our heroine goes back to the future of
pornography." In: Martin Lister (ed.) The photographic image
in digital culture. London: Routledge. 77-94. Chapter
in 1995 "Interactive
computer-based art." Proceedings of the 1st Conference on
Computers in Art and Design Education, CADE 95. Brighton:
University of Brighton. Paper. Published 1995 "Mothers
of invention." In: Jo Spence and Joan Solomon (eds.) What
can a woman do with a camera. London: Scarlet Press. 135-142.
Chapter
in 1993 "Long
term relationships: Photography as permanent public art."
Camerawork (San Francisco), 20 (2). 18-24. Contributor
and 1993 "Long
term relationships: Art in public." Artists' Newsletter,
Aug. 30-31. Article
in art 1993 "Who
knows what could happen?" The Illuminator: The Photographers'
Gallery Newsletter, Jan and Jul (2 parts). Article
in art 1993 "For
a few Ecus more." In: Rhonda Wilson (ed.) Seeing the light:
The photographers' guide to enterprise. Nottingham:
Nottingham Trent University. 111-113. Commissioned 1992 "The
Primavera Fotogràfica: Barcelona's photo festival." The
British Journal of Photography, Jun 18. Review. 1991 "Fogged
in the Channel: A choppy crossing en route to Europe." Artists'
Newsletter, Aug. 37-38. Article
in art
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